Sam_isusingan_
31p35 comments posted · 0 followers · following 0
17 years ago @ Film School Rejects - Review: Dance Flick · 0 replies · +1 points
I thought Marlon Wayans was fantastic in Requiem for a Dream, although that was 2000 and clearly not a comedy. I am continuously disappointed when I see him spit out these bland spoof films when I thought he had dramatic potential.
17 years ago @ Film School Rejects - Cannes Dispatch: \'Ing... · 0 replies · +1 points
I try not to listen to any reviews of his work for that reason, and just judge him on what he spits out. Sometimes its enjoyable (in my opinion his early work) and sometimes I think it's terrible (death proof). I'll catch this in theaters, more than likely.
17 years ago @ Film School Rejects - The 10 Most Prepostero... · 0 replies · +1 points
17 years ago @ Film School Rejects - Wolverine\'s Origin Be... · 0 replies · +1 points
As for barcoding the dvd, it would be pointless. the protection would last all of a week before someone cracked it for someone they know blah blah blah, and it would be null and void. It happened with the prerelease cds of a bunch of different bands over the years. Like you said, spending the money on protecting things like that would drive up overall costs, and potentially be detrimental to sales in the long run. The video game industry learned that the hard way.
edit: chud also won't load for me, i'm guessing the heavy traffic from digg's front page is causing that
17 years ago @ Film School Rejects - Wolverine\'s Origin Be... · 0 replies · +1 points
As for the pirated version, I'm not going to say I'm not curious to watch it. This is totally the kind of movie where for me, if I did, uh, pirate it, and it turned out to be good, then I would go see it in the theater. Its an action movie, made to be huge and explody on the big screen. If it's shit, I'd rather watch it at home, turn it off when I'm sick of it, and never feel like I wasted the money seeing it / supporting hollywood's idea that movies like that are good. Regardless of your ethical issues with piracy, the continued success of "shit" movies (*cough* paul blartt *cough* the spirit *cough*) will continue the production of them, even if the critic world slams those movies.
Just look at the Meet The Spartans line of films if you don't see credible evidence for that.
For myself, I have pirate. A lot of what I pirate, I then go and see in theatre or go and buy the dvd. On top of that, a lot of movies I have pirated I had never heard of before (case in point, Ryan Reynolds' The Nines, which I waited patiently to buy the day it came out on dvd). Its a mixed bag, with pros and cons, and to simply say that any real movie lover knows it isn't cool is arrogant, Cole. But I don't really want to get off into a whole piracy rant which I seem to have done.
I may watch this. If it makes me want to kill a small orphanage due to character changes, I won't see it in the theatre. If it's good, I will see it in theatre. That being said, if it's a working print and is missing a ton of effects, then no, I won't let it change my opinion. And of course, this is all assuming that I find the time to download it in the next weeks and actually watch it. So don't demonize me just yet.
17 years ago @ Film School Rejects - Why Variety is Wrong (... · 0 replies · +2 points
The blogging world is a mixture of "legitimate" journalism and the office watercooler. I use legitimate in quotation marks because since journalism is an industry, you get bullshit in print media too. You get slights and twists, ignoring that journalism is supposed to be the Fifth Estate.
Print/Radio/TV media looks down at the blogging world because it's new (as Fure said, they have a history of doing this) and because it threatens their livelihood. These are also, sometimes, people who have degrees in journalism or communications, and are uncomfortable with the blogger the same way they'd be uncomfortable with a new anchor/reporter/journalist who has no background and is suddenly in the limelight. Let the ol' crones complain all they want. Keep voicing your opinions, keep the humour coming, and keep interesting news coming and you'll keep me coming back.
17 years ago @ Film School Rejects - Massive Wolverine Spoi... · 0 replies · +1 points
17 years ago @ Film School Rejects - Massive Wolverine Spoi... · 3 replies · +1 points
I am going to keep hoping that that's the case, and that 'deadpool' is simply the code name the project uses for Weapon XI.
17 years ago @ Film School Rejects - Solving the Deadpool M... · 0 replies · +1 points
17 years ago @ Film School Rejects - Solving the Deadpool M... · 2 replies · +1 points
http://www.toplessrobot.com/2009/03/the_deadpool_...
Uh, big ass Spoiler Warning. More speculation but this time there's a "guy" on the inside, trying to clear up the mess. I don't know. Anyway, you were warned:
"• Ryan Reynolds shows up for 10 minutes in the beginning of the film. He's part of Stryker's team, and his mutant ability is mostly being a badass with swords, cutting bullets and the like. He is called Wade Wilson during this period.
• Stryker's big plan (or one of 'em) is to make Weapon XI, a mutant with a shit-ton of mutant powers.
• Stryker uses Wilson's body as the mutant power receptacle, and because of the scarring (I'm not sure whether that's from a previous fight, or as a result of all the mutant powers getting packed into him), Weapon XI is played by Scott Adkins. Weapon XI appears for about ten minutes near the film's end, and has the claws seen above (a la Wolverine), Cyclops' optic blast, Wraith's teleportation ability, and Wolverine's healing factor, too. Also, his mouth is indeed sewn shut.
• Just like Weapon X is given the name "Wolverine," Weapon XI is given the name "Deadpool.""